There is a powerful harmony in Grimes. It is a project which is both musical and visual, embodying the arts of 2D, performance, dance, video and sound. Claire Boucher weaves these together to a strong rhythmic effect, “the marriage between the voice of a human and the heartbeat of a machine” [Bullett Magazine].
Boucher, born in Vancouver, Canada, came to Montreal in 2006. Her experience as a performer is deeply embedded in the illegal DIY loft culture of Montreal, where Grimes was one of the prominent figures in the scene surrounding Lab Synthèse – a 4600sq ft re-appropriated textile factory. She developed in a scene where punk ethos and pop music collide, resulting in a distinct sense of community, religiosity and psychedelic revelry.
Visions arises as Boucher’s fourth release in less than two years. Geidi Primes (2010), initially released as a limited 30 cassette run and free download, then followed by Halfaxa (2010) – arguably one of the first witch-house or lo-fi R&B releases. On Darkbloom (2011), Grimes begins taking her first steps as a producer, bringing together the experimentation behind her early work and a cutting edge pop aesthetic.
Each album tackles a different set of